Amanda Marshall, one of Canada’s most successful and enduring Diamond-certified recording artists, today announced The Dirty 30 Tour: Pearl Celebration, Diamond Legacy, a cross-country tour, marking 30 years since her breakthrough and celebrating a career defined by landmark achievements, multi-Platinum success, and one of the most iconic voices in Canadian music.
Produced by Live Nation, the tour will span major markets across Canada this November and December, bringing Marshall’s powerhouse vocals and storied catalogue to fans nationwide including a highly anticipated hometown performance at Toronto’s legendary Massey Hall.
Marshall showed no signs of slowing down following her celebrated return, continuing to deliver the powerful live performances that have defined her career. Highlights over the past year included a headline performance at Toronto’s Budweiser Stage (now RBC Amphitheatre) and an appearance on CBC’s national Canada Day broadcast. Ahead of her cross-Canada headline tour this fall, Marshall will return to the UK and Germany this summer for a series of headline dates – her first performances in both countries in more than two decades.
Since emerging in the mid-1990s, Marshall has established a rare and enduring legacy in Canadian music. Her Diamond-certified debut album – one of only 3 women in Canada to debut with a Diamond-certified album – remains one of the best-selling Canadian albums of all time while achieving Gold and Platinum status in more than a dozen countries. Her follow-up albums Tuesday’s Child and Everybody’s Got a Story also reached multi-Platinum success, solidifying her status as one of the defining voices of her generation.
Across a career spanning three decades, Marshall has earned 14 JUNO Award nominations, shared stages with artists including Whitney Houston, Bryan Adams, John Mellencamp, Tom Cochrane, and Tears for Fears, and delivered a catalogue of enduring hits including “Birmingham,” “Believe In You,” “Dark Horse,” and “Let It Rain,” songs that continue to resonate across generations of listeners.
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